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A full album of early tone-fucking sounds from Toshimaru Nakamura, the guy who collaborated with US power-jazz trio Many Arms on their intense 2015 LP. #video 

Weeknotes #805-806

A few things to close out January:

  • I documented the redesign of this website last week. The visual aspects came swifter than I expected; the scripting stuff caused more frustration. But I still got there within a matter of days. Since then I’ve tweaked things a little, adding a post format template for videos, and the FitVids jQuery plugin to make video embeds resize fluidly in tandem with the responsive grid; it doesn’t work for Mixcloud iframes, however, I think because they’re widgets drawing from too many variables.
  • Over on Afloat.ie I wrote up a thing on Annalise Murphy’s Sailor of the Year win. Usually my contributions aren’t as lengthy or as live-wire as that, writing up and editing and CMSing on the fly, as the quotes come in. That’s modern journalism for you. And I should sell myself more on it.

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'Ghoul Whispers', from the upcoming collaborative LP by Sly & the Family Drone and Dead Neanderthals. They're playing the Raw Power festival in London this May if you're around; I wish I could be. #video 

My Letterboxd reviews of Underworld, Evil Dead, The End of the Tour, Voice Without a Shadow, and Criminal

Underworld:

A humourless action slog for the World of Darkness set. A bit more fighting and a lot less blathering on about bloodlines and whatnot would’ve helped.

Evil Dead:

Fede Alvarez’s reboot of the Sam Raimi horror classic pretends to add depth with a thinly veiled subtext of demonic possession as metaphor for drug addiction, but it’s drowned out amid a witless torrent of wince-inducing gore — and a thoroughly nasty, cynical tone. I walked out on this halfway through when it first hit cinemas, and after catching up on Netflix I see I didn’t miss much.

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Documenting the new design

If you’re reading this, you’ve probably seen my site’s had a bit of a redesign.

Well, ‘a bit’ is putting it lightly: I coded a whole new site template from scratch over the last three days, building on the Skeleton framework that a lot of people seem to be using (from snooping around their sites with view-source, like the old days).

It’s been ages since I’ve done so much web coding — more than three years since my last redesign. I think I’ve kept things clean enough under the hood, and it resizes nicely on my smartphone.

The new look was pretty much a necessity seeing as I’ve finally migrated from Movable Type to WordPress. And boy has that been a learning curve. Not so much using the CMS itself; I’ve become familiar enough with that posting things on other sites. But getting my own stuff into the system was a challenge.

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My Letterboxd reviews of London Has Fallen, The Neon Demon, Unstoppable, Sisters, It’s Alive, I Saw the Devil, The Watcher, and Love Exposure

London Has Fallen:

Olympus Has Fallen comes with a certain charm to its ridiculous premise and theatrical violence. Only a trace of that tongue-in-cheek attitude is present in this cheap and nasty sequel, which takes its jingoism far too seriously. It’s also a film that constantly takes its audience for mugs, and can’t even be bothered to get Gerard Butler and Morgan Freeman in the same place on the same day. That’s pathetic.

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