Turns out, he got old, then found a new direction. “It’s so cool to see leading men become great character actors later in their career,” says a producer quoted here; indeed it is, and Fraser comes across as such an intelligent, sensitive and likeable guy in this GQ profile, that I’m quite looking forward to watching him in Trust now. #link
The writer and script editor collecting tweeted thoughts on various TV and film type things. Can’t say I agree with everything, and certainly not his take on the Ghostbusters reboot (it’s not a fraction as funny as it thinks it is, and I fucking hate the Holtzmann character). But his tweets on Rogue One get to the nuts and bolts of why it doesn’t really work. My own review is superficial in hindsight, too forgiving of its flaws, but it’s a fairly superficial movie that I was evaluating in the context of a greater disappointment. #link
Just piping up to recommend Santa Clarita Diet on Netflix, if you haven’t seen it already.
Think a mildly gore-splattered Desperate Housewives with the sensibility of 30 Rock. If that floats your boat, give it a couple of episodes to get going and find its tone; by the third, you’ll know.
For me, it’s all in the combination of great writing — especially in the fleshed-out characters and relationships — and spot-on casting. You can’t go wrong with Drew Barrymore, though Timothy Olyphant is the real standout. Who knew he had such a gift for comedy?
Anyway, if Netflix keeps doing shows as entertaining as this, it’ll make the subscription worth keeping.
In this house we’re probably the only people who haven’t seen Stranger Things among all the world's Netflix subscribers, but the issue discussed here is one that’s been a thing a lot longer. And it’s a problem with story-arc shows in general, when the main narrative thrust is too slow-burn to let the individual episodes stand alone. #link
There’s no good reason why TV news producers can’t make better use of the web and social media as channels. They’re brands people can and do trust, but their absence from Facebook and the like only leaves a void to be filled by the fakes. #link
I’ve been thinking a lot about television recently — more so since we got our first PVR last weekend. I hadn’t felt I was missing out in not having one before (apart from the programme clash conundrum); I’d always been in the habit of scheduling myself around my favourite shows, and didn’t think that would ever change.
But it’s been three days now and I’m already converted. It’s really been one of those ‘you don’t really know until you try’ experiences. From now on TV will be fitting into my schedule, not the other way round.
Now, while I wouldn’t go as far as to say it’s part of the ‘democratisation of television’ or anything, thinking about it does lead naturally to ideas about how the TV audience behaves in the networking age — and how this audience isn’t adequately served.