My Thumped review of Swiss Army Man
Going against the grain with this one; it seems to be getting good reviews, but I found it insufferable. Sensing some Emperor’s-new-clothes-ism. #link
###
Date: September 2016
Going against the grain with this one; it seems to be getting good reviews, but I found it insufferable. Sensing some Emperor’s-new-clothes-ism. #link
###
So I’ve finally got the hang of changing down to the lowest gears on my hybrid, which means I can tackle those steep climbs on the road from Dundalk to Newry. And boy are they steep.
###
It’s not even about fashion, really; it’s a touching tribute by a father (the novelist Michael Chabon) to his son, a young man he doesn’t fathom at all and yet understands profoundly. #link
###
Lucy:
Wow. What can I even say? It’s so, so dumb, to such an absurd degree it’s better to just go with it, at which point it actually becomes enjoyable. In a manner of speaking.
###
Nothing particularly revelatory here, if you already know the story, but the combination of fiery live clips and reminiscences of those who knew her does a great job of conveying what a special musician Janis Joplin was, and the metaphysical connection she had with friends and fans alike.
###
Reblogged from my Goodreads list:
After the set-up in the first trade, the story, characters, the whole shebang really kick into gear in this compilation. Looking forward to Volume 3.
###
The pop culture bible (as it were) continues its dalliance with wrestling in this quick-enough read; nothing really new for serious fans but that’s okay. #link
###
Plus a few words on the atrocious gardening biopic Dare To Be Wild. #link
###
A kitchen sink zombie drama that's all about the relationships at its core. #link
###
If you're a hardcore fan, you already know the story, but that doesn't mean it's not worth watching. #link
###
A classic Robin Hood tale retold with modern complications. #link
###
Bit late posting this one, and a few more to come; Fede Álvarez makes up for his horrid Evil Dead remake with a film that has its own problems. #link
###
A podcast from NPR about going deep into news stories one might otherwise breeze over on a given site or in a given paper. Doesn't look like there's been anything new since June but hopefully it's just been on a summer pause. #link
###
Another one from the summer backlog, here; an emotive story from someone who was in the thick of that nightmare. #link
###
An interview with MetaFilter founder Matthew Haughey on the rise and fall (and rise?) of the multi-user blog and hive mind retreat. #link
###
Ugh. It's all I can say. #link
###
It’s been a productive September on the writing front, with seven (and a bit) film reviews under my belt so far. There’s bit of a breather for the next few days, as I don’t have any press shows on my calendar till the end of next week, but I have got a couple of screeners to watch this weekend, for which I’ll have my little notebook ready.
###
What it lacks in coherence it makes up with sheer exuberance.
###
Reblogged from my Letterboxd list:
Penny Marshall’s film of the late Oliver Sacks’ medical reportage, adapted to the screen by Steven Zaillian, strikes for the most part a careful balance between sentimentality (note with dismay the occasionally oppressive, syrupy score by Randy Newman) and stark, painful honesty, with the kind of bittersweet denouement that simply wouldn’t pass muster in a studio movie today.
###
This classic of British horror cinema’s golden age still holds up today in great part thanks to its striking visuals, courtesy of cinematographer John Coquillon and young director Michael Reeves, who would die less than a year from its release aged just 25. It’s hard not to ponder what might have become of his career on the strength what was only his third film proper, a revenge tale in a time of division and suspicion among the British people (nothing like the present, why would you even bring that up?) that’s really only let down by the red-paint blood and unenlightened sexual politics that were both typical of its era.
###
Reblogged from my Letterboxd list:
Within its shameless exploitation skin, The Purge: Anarchy actually has a fair bit to say about the amorality of society’s wealthy, and the manipulation of the underclasses to turn on each other for the profit and, even worse, amusement of the elite. Indeed, the extremes of the dystopia depicted here don’t seem so far-fetched in the wake of Brexit and Donald Trump’s US presidential campaign.
###
Why Marathon Man is only remembered for That Scene I can’t tell you, because the whole thing is so wildly over the top, it’s almost a parody of the paranoid thrillers of its era, from the opening old-fogey car chase to its grand guignol flair, Bond-movie explosions of action and copious hat-doffs to Hitchcock. But if there’s ever a film that essays the absolute futility of torture as a valid information-gathering technique, this is it.
###
Summer went by all too quickly, or not quickly enough, depending on which way I look at it. I’m already missing the long days, as sunset creeps earlier and earlier with each passing evening. But the rotten stuff of life that spoiled days and weeks, I could’ve done without. I’ll trade daylight after seven for the knot in my guts, no question. Let’s see what the rest of September holds.
###
A little bit Brady Bunch, a little bit Little Miss Sunshine; a lot of issues but also a lot that makes it worth a watch. #link
###
Can't add any more to what Tim Carmody says here. #link
###
It all boils down to this, from the final paragraph: "King’s editors had a responsibility to ensure that his accurate sourcing was reproduced when published, no matter the vagaries of their CMS. (King, too, should probably have been reading his articles once they were published.)" #link
###
I'm with Nathan Rabin, more or less; I said much of it myself at the time. #link
###
I've seen some criticism of the technical aspects of this documentary, made by a childhood friend of the slain US combat journalist, but I had no issues with that side of things -- perhaps because I've seen a lot worse. #link
###