Satire really only works with a defined target. The Hunt’s satire, unfortunately, is about as scattershot as an AR-15, while at times it approaches a level of smugness only rivalled by the worst of South Park. It’s better just to ignore all that and home in on Betty Gilpin’s badass lead, as she Rambos her way through this latest twist on The Most Dangerous Game. ★★★
Cross-posted from Letterboxd