Do you know what an ambiguous image is? Like that picture that’s a duck one way and a rabbit the other? That’s what this is. It’s not even a movie, really, let alone a horror movie. It’s mere content contrived to appeal to both sides of a perceived binary divide. A duck or a rabbit. A rabbit or a duck. And in a way it’s perfect; the postmodern evolution of the exploitation flick! Especially those Italian ‘sequels’ that had no connection with the 42nd Street trash that inspired them, except for the title. ★★
Cross-posted from Letterboxd