Hello, world. I’m MacDara Conroy, and this is my blog.

Tag: music

Beatbox by rhythmo

A semi-DIY, part-cardboard drum machine that promises to be “super affordable”? I’m interested. Let’s see when the crowdfunding campaign launches. #link

Metadata is the biggest little problem plaguing the music industry

It’s bad enough that music is missing the richness of metadata to give listeners context and background for recordings (streaming services don’t even come with high-res original artwork, for crying out loud) but when it means the artists themselves aren’t even getting paid? Well, we shouldn’t be so surprised; the music industry hasn’t been about supporting its artists for many years, if it ever was. #link

Extreme-Music Pioneer Weasel Walter in Back Catalog (and Beyond)

There I was thinking to myself, I wonder if anyone’s done a round-up of Weasel Walter’s multi-faceted musical catalogue? Of course they have, and props to Brad Cohan for a great one. Now, should I pitch something along the lines of ‘Weasel Walter’s No Wave picks’? #link

The Day the Music Burned

“The vault fire was not, as UMG suggested, a minor mishap, a matter of a few tapes stuck in a musty warehouse. It was the biggest disaster in the history of the music business.” #link

Just a short clip of Jawbox in rehearsals for their upcoming reunion tour. Which I won't be seeing. Sad face. #video

Palm are my current music obsession. There isn’t much live footage of them on YouTube but the above is a great example of what they do. #video

Book review — Art Sex Music, by Cosey Fanni Tutti

I felt like I wasn’t the only one tempted to google ‘Cosey Fanni Tutti transphobia’ after reading this memoir, but aside from this Jezebel interview which raises the question, it doesn’t seem to have provoked much discussion. Perhaps that’s because in this particular instance, the Genesis P-Orridge depicted here is an enormous arsehole who doesn’t deserve the respect of being appropriately gendered, though it still feels like some level of disrespect to the trans community. One would really have to ask trans people how they feel about that. More…

Here it is, the first Meat Puppets song from the original lineup in over 23 years. Sounds like it’s from that era, too, with a touch of Up on the Sun psych in the solos. By the way, here's a bonus live set from June. #video

SunVox is 10, and it is truly something worth celebrating

I got a mini MIDI keyboard last Xmas precisely to mess around with SunVox and I’ve only just done so (it works great, as it happens). I want to treat myself to a cheap electric guitar this Xmas, too, and maybe one day soon I’ll have a free afternoon to make a track. #link

Wire, performing songs from their classic first three albums live on German TV’s Rockpalast in 1979. #video

If this is what the new Low album (Double Negative, out in September) actually sounds like, it might be the best thing they’ve ever done. #video

The new Parquet Courts is out today, and it reminds me of the Minutemen more than anything else I’ve heard from them. Not that it sounds like the Minutemen in any specific way. (And not this particular song, which owes more to the Big Boys than anything else.) #video

Eight Bands Leading the Crossover Thrash Revival

I dig Power Trip and Iron Reagan; I can dig this. (Also, maybe it’s something peculiar about the metal features on Bandcamp Daily, but they tend to get way more than average social media shares and comments, the latter of which are often along the lines of ‘you forgot Band X!’. I want to look at that as a positive sign of the genre’s health; that there are more artists doing things that excite listeners than what will fit in a given article.) #link

The Sage of Pedro keeps it real for surf-turned-culture zine What Youth. #video

Joe Carducci and Mugger talk SST and things at a bookstore in Brooklyn. So curmudgeonly on Carducci’s part, but he’s an avowed romanticist for the (or rather, an) American working class mythos, so adjust your filters for his insight. #video

The Grunge Gold Rush

On the fates of Jawbox, the Meat Puppets and others swallowed, then thrown up my the music industry in the post-Nirvana fervour for the Next Big Thing. #link

The Fractured series may have come to a close, but John Mulvaney’s not done with his engaging profiles of bands in their creative milieu — this time across the Irish Sea with British doom metal crew Solstice. #video

New Directions in Grindcore

My second feature for Bandcamp Daily and one I still can’t believe I was commissioned to write — but that is the point of the site, to surface and celebrate smaller genres and scenes, no matter how far from the mainstream they might be. (Also, the overlap with that other article on Belfast music was inadvertent.) #link

Book review — Choosing Death: The Improbable History of Death Metal and Grindcore, by Albert Mudrian

An easy, breezy read about the biggest bands that defined extreme metal, much of it in their own words. It’s focused on a select few names, which is both good and bad: good in that it doesn’t get bogged down in enyclopaedic details (it doesn’t pretend to be a comprehensive history) but bad in its Euro-American bias, more or less footnoting the contributions of bands and scenes in Asia and South America, not to mention lesser-known acts in the regions it does cover. Perhaps some of that is rectified in the updated edition (I read the original, from 2004) yet in any case, it leaves room for someone else to write that history unwritten here. More…

The Guardian’s series on Underground Music in 2017

“Does the underground still exist in a world where everything is visible online?” That’s a silly question, in that the answer is an obvious ‘YES’ and that it also presupposes that everything is visible online, when it patently isn’t. But it’s still good to see an august paper like The Guardian dive in and share what it's found. #link