Hello, world. I’m MacDara Conroy, and this is my blog.

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Tag: film


Here's a nice look back at Mad Max 2 from the Red Letter Media guys (even though they prefer Fury Road, or don't mention Waterworld even once) and one that makes me want to reappraise a film I only gave two-and-a-half stars on my last watch a few years ago. #video


My Letterboxd reviews for April 2018

Elsa Lanchester and Colin Clive in Bride of Frankenstein

I tried to make up for not watching any films in the first two weeks of April by watching seven over the latter half. And five of them involved actual trips to the cinema: one a press screening in Dublin, one at the fleapit down the road, one in the basement of the local arts centre (a regional screening as part of the Japanese Film Festival), and a double-bill at the IFI. My pick of the month is one I won’t be reviewing till later in May, but my thoughts on the rest are below. More…


I’m pained by the notion that Studio Ghibli is considered a genre unto itself, let alone anime as a whole. (It’s a medium, not a genre!) But gripes aside, this is a fine list for the uninitiated, with a spread that spans drama, action, romance and more avant storytelling. #video


A short documentary about an incredible trove of letterpress blocks for movie advertisements dating from the early 1980s to before the Talkie era, happened upon by chance by two friends antiquing in Nebraska. It really makes stark what might be lost in the move from the tangible to the digital in media. [c/o Kottke.org] #video


My Letterboxd reviews for March 2018

Alexander Skarsgård in Mute

And I thought my February in movies was bad: only seven films watched in March. Not even two a week. And April isn’t looking much better, considering almost half the month has gone by and I haven’t seen a single movie. Quality, not quantity, I keep telling myself, even when the results don’t always bear that out. More…


Lindsay Ellis’ video essay on why Bright doesn’t work is worth your time. #video


My Letterboxd reviews for December 2017 & January 2018

A scene from the 2016 anime film Your Name.

Late with my monthnotes, and late with my Letterboxd reviews as well. Since we’re well into the new year by now, I’m overdue in noting that I logged 171 viewings over the course of 2017, which is about 50 more than I managed the previous year.

Even accounting for the fact that some were shorter (circa 1 hr) documentaries, that’s still a better than average showing. Mind you, I didn’t write as many full-length reviews as I have in previous years, but it surely indicates I was watching more for my own enjoyment and/or edification. (That also classifies as CPD as far as I’m concerned.) More…


My Letterboxd reviews for November 2017

Frank Grillo in Wheelman

Another few weeks of genre-hopping, thanks to a free month of Shudder that I ended up letting lapse as I couldn’t find much of anything I wanted to watch. So it goes.

But it was also a month that included one of my favourite films of the year. Shame it bypassed cinemas and went straight to Netflix. The new straight to video? I sure hope not.

Obviously Netflix is better than that, but there is a clear sense that it serves serialised ‘prestige’ TV much better than first-run feature films. And I get the feeling even Netflix’s honchos recognise this, going by all the promos I’m seeing for Bright (which isn’t out till the end of this month). More…


My Letterboxd reviews for October 2017

The Night Is Short, Walk on Girl

October’s viewing was a mixed bag: a handful of cinema trips, one of them a press show (for Brawl in Cell Block 99, as previously linked); a few dips into Netflix and other streaming services; genres all over the place; and one classic rewatch that stands the test of time. More…


Mark Korven composed the soundtrack of The Witch, and created that film’s eerie music with the Apprehension Engine, a device he envisaged along the lines of an acoustic Author & Punisher. [c/o Lowbrowculture] #video