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On Chris Cornell

Chris Cornell@P&L

Soundgarden were my band. ‘Black Hole Sun’ came on MTV some time in the early summer of 1994 and I was transfixed. Before that moment, ‘rock’ was a big ugly thing to me, for older kids who drank in the park or hung out at the Wellington Monument with candles and baggy clothes when Kurt Cobain topped himself. So this was a strange feeling, hearing that song, with Chris Cornell’s soulful voice and Kim Thayil’s colourful guitar lines, alluring and scary at the same time. I didn’t even hear the album Superunknown till months later, when I got a CD player for Christmas. I’ve probably played it hundreds if not thousands of times since then. I still have the original CD.

Continued…

How many SST artists are still going today?

SST Records sign at the label's final LA location in Long Beach

A few days ago on Twitter, I wondered out loud how many artists from the classic era of SST Records (from 1980 to 1997, though some would cut it off at 1989 or earlier) are still going today. By still going, I meant still active as a performing and recording entity, whether as an ensemble or solo artist, that released records under the same name (or as essentially the same entity) on SST.

For all the relatively big-name acts who did their time on the label, there are few intact in 2017, and pretty much all of them took a break at some point between recording for SST and now. Indeed, if Sonic Youth hadn’t broken up a few years ago, they would have been the only career band still actively recording and touring straight through from their SST days.

Continued…

Midori Takada’s 1983 LP Through The Looking Glass. Prompted by this short profile in the Guardian upon its recent reissue, which has promptly sold out. And it isn’t available digitally, for some stupid reason. So here you go. #video 

The latest episode of Fractured “gets down and dirty" with Limerick-based death metallers Zealot Cult. #video 

Justin Pearson (The Locust, Retox, Three One G, etc) talks about his musical journey, as well as the gear that comprises his signature sound. He’s refreshingly candid about his lack of traditional technique, which gives me hope for cracking the secret of the bass. #video 

Weasel Walter did this quick remastering of Essential Logic’s Beat Rhythm News LP, and I’m kicking myself for not hearing the album sooner as this kind of off-kilter, bass-heavy post-punk is exactly my thing. #video